Hans My Hedgehog

Welcome to Day 5 of the Hans My Hedgehog blog tour, celebrating the publication of Kate Coombs's retelling of the Grimm brothers' tale (illustrated by John Nickle; Atheneum, 2012). I'm delighted to be hosting Hans today for several reasons: I'm particularly fond of folk and fairy tale retellings, which I've written about before; and I can't resist wee Hans holding his fiddle, as seen on the cover of his book.

Kate is the author of The Secret-Keeper, an original fairy tale (paintings by Heather M. Solomon; Atheneum, 2006), and two middle grade fantasy novels, The Runaway Princess (FSG, 2006) and The Runaway Dragon (FSG, 2009). She also blogs at Book Aunt ("Because OTHER people give you clothes and video games for your birthday!"), and I always look forward to her reviews as well as her thorough, thoughtful comparisons of folk and fairy tale retellings.

Hans, she writes in Retellings Beautiful and Beastly, is a close cousin of the Beast in that other, more famous story. He's half a hedgehog, cursed before birth by his father's wish for a son. In the Grimms' version of the tale, Hans's father and mother reject their prickly baby (his mother won't even nurse him); but here, Hans is loved, albeit still lonely. Aside from the cover image, this is perhaps my favorite illustration in the book: I love the way his parents gaze at baby Hans in wonder (as all new parents do, of course!), although his mother still looks slightly stunned.

Kate makes other changes to the original (see the Author's Note), but this one seems fundamental to sharing Hans My Hedgehog with your own prickly little people. And I hope you do. Congratulations, Kate and Hans!

[A final, favorite detail: "The palace seamstress made them clothes for the wedding, and of course she sewed a velvet suit for Hans, though he struggled to fit it over his quills."]

Can We Save the Tiger?

Most of us, if asked, would want to save the tiger.  Just look at the one on the cover of Can We Save the Tiger? by Martin Jenkins; illustrated by Vicky White (Candlewick, 2011): it's beautiful. But the real beauty of Can We Save the Tiger? (apart from White's illustrations, which I'll talk about later) is that it makes us want to save things like partula snails, and vultures. As Jenkins writes, "Ugly things can be endangered, too."

The text of Can We Save the Tiger? is, like its title, both conversational and direct. Jenkins doesn't pull any punches: we won't ever see a live dodo, kids. "And then there are all those other species that are still around, but just barely." Case studies of tigers, snails, and vultures explain the various reasons why; they're accompanied by examples of other animals that are threatened for similar reasons (because they're running out of room, affected by predators introduced by people, or otherwise accidentally endangered by human actions or disease).  There are hopeful notes ("Sometimes, though, we have managed to do the right thing in time"), but no easy answers.

Jenkins's text is perfectly paired with White's evocative and beautiful illustrations, done predominantly in pencil with touches of oil paint. White earned a master's degree in natural history illustration from the Royal College of Art, in London; her animals (and one orchid, on the Index page) are precisely rendered, standing out against an expansive backdrop of creamy, oversized pages. Often they seem to look right at you, as does the tiger on the cover.

Can We Save the Tiger? is a gorgeous book, but above all, I appreciate its respect for the intelligence and concern of its young readers and listeners. Who just might be inspired to find out how they can help save the vulture.

[I don't think Can We Save the Tiger? is eligible for the Caldecott (White would have to be an American citizen or resident), but I was happy to see it listed among the Best Books of 2011 in the Horn Book Fanfare. Do you have any Caldecott Hopefuls from among last year's nonfiction picture books?]

Is this the real life? Is this just fantasy?

A Monster Calls: A novel by Patrick Ness, inspired by an idea from Siobhan Dowd (Candlewick, 2011) is a heartrendingly beautiful book, one of the year's best. It's being considered for all sorts of awards, including the Cybils, where it's a finalist in the Middle Grade Fantasy and Science Fiction category.

But is that where it belongs? If the monster is real, existing as a physical entity (that's the definition in Webster's Dictionary), then yes: the book is fantasy. But if the monster is only metaphorical, then no, because otherwise it's set firmly in the real world, the one where mothers die of cancer, and there are bullies at school, and you're only thirteen. That one. Ours.

I happen to think that the monster is both real and metaphorical: that's the source of its power. But if I had to categorize the book itself, I think it would be fantasy, on the strength of passages like this one:

It had been a dream. What else could it have been?
    When he'd opened his eyes this morning, the first thing he'd looked at was his window. It had still been there, of course, no damage at all, no gaping hole into the yard. Of course it had. Only a baby would have thought it really happened. Only a baby would believe that a tree--seriously, a tree--had walked down the hill and attacked the house.
    He'd laughed a little at the thought, at how stupid it all was, and he'd stepped out of bed.
    To the sound of a crunch beneath his feet.
    Every inch of his bedroom floor was covered in short, spiky yew tree leaves. (11)

This monster leaves more than a trace--he leaves a floor covered in needles, or in red yew tree berries (37).  Those aren't metaphors (Conor has to bag them up and throw them in trash, after all). Or if they are metaphorical, they are also, definitively, real.

The multiple meanings of the words real and fantasy complicate these arguments.  Emotions are also real, even though they don't exist as physical entities. And it seems paradoxical that the more real something might be, the more firmly a book that is all about raw, real emotion becomes (just?) a fantasy book.

Now, whether this is a middle grade or a young adult book is also up for debate (Monica Edinger of educating alice originally nominated it as YA Fantasy). I don't think this is necessarily a coincidence: extraordinary books are often difficult to categorize. A Monster Calls isn't even the only book on our list that begs these questions. Many thanks to Zoe of Playing by the book for bringing them up (in the comments on another post). Now it's your turn.

Dragon Castle

After all was said and done, I was honored to write the text to accompany Dragon Castle by Joseph Bruchac (Dial) on this year's list of Cybils finalists in Middle Grade Fantasy and Science Fiction. Writing these little paeans to literary achievement and kid appeal is tricky; they have to be concise (mine is 111 words, not counting the exclamation) yet convincing, and above all, they have to make you want to read the book. Which I hope you do.

By the head of the dragon! It’s a good thing Prince Rashko, the sensible second son, is around to defend the royal family’s ancestral castle when Baron Temny and his army of invaders move in, because he’s not going to get much help from his parents (called away to the Silver Lands) or his brother (bewitched by the beautiful Princess Poteshenie). Drawing on Slovakian proverbs and folklore, Bruchac alternates—and eventually intertwines—Rashko’s story with that of the hero Pavol, also depicted in a mysterious tapestry that hangs on the castle walls. The result is high fantasy laced with history and humor, action and adventure, as Rashko and the reader alike uncover the secrets of Dragon Castle.

I like to think I'm getting better at writing these (this is the third year I've been a first-round Cybils panelist; I wrote the blurbs for Fever Crumb by Philip Reeve (Scholastic) in 2010 and Odd and the Frost Giants by Neil Gaiman (HarperCollins) in 2009), but there's always more to say. I'm still sorry I wasn't able to work the giant, telepathic wolves into the final copy.

I would love to know, though: Would you read Dragon Castle? Why or why not? Because, ahem, you should.

Caldecott Hopefuls: The Money We'll Save

I usually like to note that by Caldecott Hopefuls, I mean picture books I like a lot, not necessarily ones I think will win the award. Happily, in the case of The Money We'll Save by Brock Cole (FSG), these coincide, and the result is a picture book that already feels like a classic. This is partly because the plot is somewhat familiar: Pa brings home a turkey poult to fatten for Christmas dinner, but when the time comes the family can't bring themselves to take it to the butcher (although they don't exactly want to keep it, either). It's not exactly Margot Zemach's It Could Always Be Worse, but it has a lot in common with that book, which won a 1978 Caldecott Honor. Starting with the title, of course, and the storytelling (Heavy Medal is considering it for their Mock Newbery); but especially the expressive, energetic illustrations.

Cole sets his story in a nineteenth-century New York tenement, crowded by definition and made more so by the turkey, whom the family names Alfred. His (Cole's, not Alfred's) watercolor illustrations range from what the Horn Book refers to as "cheerfully disheveled" to completely chaotic. Even in the final image, seen below, the table is littered with crockery and silverware. Not to mention the laundry. But no matter how many people are in the picture (and there are often five or six of them, not counting Alfred), you can always tell who is looking at whom in a Cole illustration, and exactly what everyone is saying, or even thinking. Especially Pa.

[After satisfyingly disposing of Alfred and scrubbing the flat clean, the family celebrates Christmas: "...each child had a present, if only a little one, and the oatmeal was delicious." I love the way this illustration shows us not only what each child got (that's Bridget with the book), but just how much they liked it.]

Best Horn Book Cover Ever?

My long-awaited copy of the January/February 2012 issue of The Horn Book arrived today and it is gorgeous.  The cover illustration is by Salley Mavor, who illustrated the 2011 Boston Globe-Horn Book picture book award winner, Pocketful of Posies: A Treasury of Nursery Rhymes (Houghton Mifflin Harcourt; link is to my review). You can see and read more about the process of making the cover illustration (I love the way she renders the Horn Book logo in particular. Also the little girl dressed as a lamb) and enter a poster giveaway on Salley's blog, or just order your poster directly from The Horn Book.

I've been a Horn Book subscriber for two years now (the inside of the magazine is just as good). Other favorite covers are Marla Frazee's hollow tree (May/June 2011), which also appears in her illustrations for the picture book Stars by Mary Lyn Ray (Beach Lane Books, 2011); and Anita Lobel's guardian angel (November/December 2010).

Which are your favorites? [There are lots more to choose from in the Horn Book Magazine's gallery of covers, too.]

The Nonfiction Monday Roundup

Hello and welcome to Nonfiction Monday at books together!  My contribution this week is Gifts from the Gods by Lise Lunge-Larsen [review coming later this morning]. Please comment with a link to your Nonfiction Monday post (and a brief description if you'd like), and I'll round them up here throughout the day.  Thanks for participating in this edition of Nonfiction Monday!

The night before (good morning, UK!)

Zoe at Playing by the Book reviews What Mr Darwin Saw by Mick Manning and Brita Granström in association with London's Natural History Museum.

Morning edition

Medea of Perogies and Gyoza reviews Japanese Celebrations for her first Nonfiction Monday post.  Welcome, Medea!

Also contributing for the first time, Tara of A Teaching Life reviews The Harlem Hellfighters, an account of the brave regiment who fought in World War I.  Welcome, Tara!

Jone of Check It Out reviews Underground: Finding the Light to Freedom by Shane Evans.

Gathering Books reviews The Boy on Fairfield Street: How Ted Geisel Grew Up to Become Dr. Seuss.

Jeff of NC Teacher Stuff reviews The Fabulous Flying Machines of Alberto Santos-Dumont.

Two reviews at Ms. Yingling Reads: a book about lost cities (Pompeii) and a book about vampires in Transylvania.

Shelf-employed is featuring some light reading today with 1st and Ten : Top Ten Lists of Everything in Football.

At Ana's NonFiction Blog, three articles from kids' science magazines featuring confused spiders, revealing bandages, and scuba spiders.  Congratulations, Ana Maria!

Roberta of Wrapped in Foil took a look at Cybils nominee Digging for Troy: From Homer to Hisarlik.

Anatomy of Nonfiction features Marc Tyler Nobleman on Heroes--Super and Otherwise with a review of Boys of Steel and interview with the author.

Wild About Nature reviews Sea Stars: Saltwater Poems by Avis Harley.

At Bookends, Cindy and Lynn review Every Thing On It by Shel Silverstein.

And Shirley at SimplyScience introduces Enterprise STEM, a new Rourke book by...Shirley Duke!  Congratulations, Shirley!

Afternoon update

Learn about animals through their ears, noses and tails in What Do I Do with a Tail Like This?, reviewed by Camille at A Curious Thing.

Kids' travel guides from Arcadia reviewed by Jennifer at Jean Little Library.

At The Fourth Musketeer, a review of Midnight Rising: John Brown and the Raid that Sparked the Civil War by Tony Horwitz, a new nonfiction title for adults that's also suitable for high schoolers.

A picture book biography of an artist, just for books together's focus on art and artists: Jeanne at True Tales & A Cherry On Top features Diego Rivera: His World and Ours.  Thanks, Jeanne!

Jennie at Biblio File reviews Flesh and Blood So Cheap: The Triangle Fire and its Legacy.

Wendy at Blog from the Windowsill reviews Celebrate Hannukah. Welcome back, Wendy!

Good evening

Heidi highlights a series called Fall's Here at Geo Librarian.

The Nonfiction Detectives have a review of Balloons Over Broadway on the blog today.

Janet at All About the Books reviews A Wizard from the Start: The Incredible Boyhood & Amazing Inventions of Thomas Edison written by Don Brown, .

That's all for now!

National Hispanic Heritage Month Roundup

Let's celebrate National Hispanic Heritage Month! From September 15 to October 15, the Library of Congress officially recognizes the "histories, cultures and contributions of American citizens whose ancestors came from Spain, Mexico, the Caribbean and Central and South America." Here's a roundup of children's and YA book reviews, author interviews, and more to help get the fiesta started at your house.

Picture books

Jeff reviews The Cazuela that the Farm Maiden Stirred by Samantha Vamos (illustrated by Rafael Lopez; Charlesbridge, 2011) at NC Teacher Stuff (thanks, Jeff!).  Note: The Books Together Test Kitchen is making arroz con leche using the farm maiden's recipe. Review coming soon!

Author Monica Brown shares "the story behind the story" of Waiting for the Biblioburro (illustrated by John Parra; Tricycle Press, 2011) at Paper Tigers.

Tasha reviews Tia Isa Wants a Car by Meg Medina (illustrated by Claudio Munoz; Candlewick, 2011) at Waking Brain Cells.

Roberta reviews Ellen Ochoa: The First Hispanic Woman Astronaut (PowerKids Press, 2001) at Wrapped in Foil.  In honor of World Space Week and National Hispanic Heritage Month!

Chapter books and middle grade novels

Alma Flor Ada and her son and co-author Gabriel Zubizarreta (Dancing Home; Atheneum, 2011) talk about immigration and collaboration in an interview at Kirkus Reviews. See Alma's website for more reviews of Dancing Home, which is also available in a Spanish edition (Nacer bailando). The gorgeous cover art is by Edel Rodriguez.

Charlotte reviews The Cheshire Cheese Cat by Cuban-American author Carmen Agra Deedy (and Randall Wright; illustrated by Barry Moser; Peachtree, 2011) at Charlotte's Library.

And her favorite Hispanic-themed children's book of the year, Tortilla Sun by Jennifer Cervantes (Chronicle, 2010).

Young Adult

Charlotte also reviewed The Queen of Water by Laura Resau and Maria Virginia Farinango (Delacorte, 2011) at Charlotte's Library. See Laura's website for the story behind this important book, and her blog for the inside scoop on its gorgeous cover. [Extra thanks to Charlotte for helping me to populate this list!]

Deviant (Adrian McKinty, Abrams, 2011), a YA novel with a Latino main character, reviewed at Finding Wonderland (thanks, Sarah and Tanita!).

 
For your consideration

The Heartland Chapter of REFORMA has posted a list of titles under consideration for their 2011 Mock Pura Belpre Award Session. This list is a great place to look for children's books by Latin American authors and illustrators, very much in the spirit of National Hispanic Heritage Month.

Please leave a comment if you would like to contribute a post to the National Hispanic Heritage Month roundup, and I'll add it to the list. ¡Muchísimas gracias a todos!

Before They Were Famous for Nonfiction Monday

The latest entry in Bob Raczka's series of Art Adventures, Before They Were Famous: How Seven Artists Got Their Start (Millbrook, 2011), takes a look at the earliest known work of artists ranging from Albrecht Durer to Salvador Dali. Thank goodness for Paul Klee, whose drawing of a carousel (made at age ten; you can see it on the front cover next to a photo of a young Klee) looks like it might actually have been drawn by a child; because the early work of some of the other artists is already incredibly accomplished. Michelangelo, I'm looking at you.

Before They Were Famous gives kids a natural entry point into the lives and work of the seven artists featured. Each gets two double-page spreads, including one page of text about his or her childhood and apprenticeship or training in art, one example of his or her mature work, and at least one portrait, self-portrait, or photograph of the artist (another of Raczka's Art Adventures books, Here's Looking at Me: How Artists See Themselves, focuses on artists' self-portraits). Even the author photo is of Bob at age 11, although we don't get to see any of his early work.

Raczka shares the story behind the book in a guest post on the Lerner blog, in which he discusses the Picasso painting (made at age eight) that inspired him to look for the childhood artwork of other artists. Here is Picasso's Little Picador in the context of the book:

Raczka also talks about how hard it was to find at least one female artist to include (he ended up with Renaissance painter Artemisia Gentileschi, whose earliest known work was painted when she was between the ages of seventeen and nineteen).  He says in the interview that would have loved to include this 20th century female artist, but didn't locate her early work in time.  Can you guess her identity?

[It's Georgia O'Keeffe, who made this drawing of an animal head when she was about fourteen.]

A Walk in London for Nonfiction Monday

A mother and daughter take A Walk in London in this lively, lovely picture book guide to the city by Salvatore Rubbino (Candlewick, 2011). Their day begins at 11am in Westminster and includes Buckingham Palace and the Changing of the Guard, the lions in Trafalgar Square, lunch at Covent Garden, a climb up to the dome of St. Paul's Cathedral, the Bank of England, the Tower of London, and a boatride on the Thames. For the record, it took my daughter and I ten days to do all of that! (But we went to the British Museum, too.)

While the main text recounts the day's events in the daughter's voice ("Hello! There's me, and that's my mom!"), spot text in a smaller font highlights related trivia (during a sudden shower, "London is Europe's third rainiest city. About twenth-three inches of rain falls here every year"). Rubbino's mixed media illustrations, often double-page spreads of city scenes, are carefully laid out and layered with just the right amount of detail. They also have lots of retro appeal. Here's an example from his first picture book, A Walk in New York (Candlewick, 2009; I couldn't find any interior images of London online):

London features a foldout Thames Panorama that would have come in handy on the London Eye, while the endpapers trace the mother and daughter's route on a map of the city. Don't forget to look for the royal family's car along the way!

Reminiscent of but more child-friendly than M. Sasek's classic This is London (1959; reissued by Universe, 2004), the picture book we referred to most prior to our trip, A Walk in London is the one we read to remember it. Mr. Rubbino, if you're reading this, please take us on a walk in Rome next!